Category Archives: Shows

Mundane Utopia

I’m waiting now at the airport to return home after an intense week in Auckland. The focus of this intensity is the installing, and then opening, of the sound installation Mundane Utopia at the Audio Foundation. The Audio Foundation is an essential centre for boundary-pushing sounds explorations located in the middle of the Auckland CBD, and holds a massive role in ongoing adventurous sound making within Aotearoa, but also holds a substantial archive of what has come before. I had the opportunity to spend a week in residence there last year and this exhibition is the follow on from that.

I have never really been involved in the gallery installation process, so learning was required on the fly, but we had days to work on it as the install evolved through various arrangements.  The final layout feels organic and coherent,  and remarkably simple for the amount of effort required. The opening was well attended with a lot of playful interest in the sound project.

The following day was a full performance at the Whammy Backroom. The lineup was U R A Tooth, representing the home team, two drummers duelling like collapsing stars, unrelenting and explosive, plus bass and saxophone for any portion of the eardrum left unbruised. Then my turn for the first post-Java show. A nice touch at the end of my set was a gentle game of ‘have-the-audience-kick-the snare-and-ride-around-the-dance-floor’ while I let the the synth sound disappear. Very homely. And Hōhā, from Ōtepoti/Dunedin, on third to round out the sonically dense evening. Drums, guitar and dual vocals, improvised song-forms, with the last piece being only drums and processed vocals.  Superb.

On Saturday afternoon, I had the chance to present Office Ambiance back in the Audio Foundation. A seminar session hosted be MEL (the Musical Electronic Library located at AF), which gave me the chance to talk a bit about the process, thinking, and science behind my project. Some wonderful discussion followed, interesting questions, reflections, and similarities with others’ own creative projects.

And finally, on Saturday evening, I hosted a screening of the independent film Jogja Noise Bombing with a bit of Q&A at the end. I offered some thoughts on my recent opportunity to perform at JNB, as well as answer questions that curious minds wanted to ask.

Many thanks to the Audio Foundation and crew, Jeff, Sam, Tash, and all the others, for their support in making this series of events possible…couldn’t have done it without you all.

Mundane Utopia: Installation @Audio Foundation, Tāmaki Makaurau/Auckland

Photo: by Wawan Sutiawan, Cirebon, Java, Indonesia.
Photo say 13 June - 6 July
Kieran Monaghan presents
vegetable.machine.animal
Mundane Utopis.
There is an image of Monaghan hunched over the modular synthesizer, parts of a drum kit are behind him, in the foreground is a plant and then a lot of cables and equipment. This photo is taken from a performance in Cirebon,. Java, May 2024.
Further text
Opens 5.30pm, Thursday 13 June
Live Performance, Friday 14 June, Whanny Backroom, 8pm.
Offience Ambience artists talk, Saturday 14 June, Audio Foundation, 1pm.
Jogja Noise Bombing Screening, Saturday 15 June, Audio Foundation, 5pm.

The Audio Foundation is located at 4 Poynton Terrace, central Auckland. It is open Tuesday to Saturday from 12 to 4 pm.

Mundane
1: of, relating to, or characteristic of, the world
2: characterised by the practical, transitory, and ordinary
– Some mundane online dictionary

Utopia
“…we should reinvent utopia, but in what sense? There are two false meanings of utopia. One is this old notion of imagining this ideal society we know will never be realised. The other is the capitalist utopia … of new perverse desire that you are not only allowed but even solicited to realise. The true utopia is when the situation is so without [solution], without the way to resolve it within the coordinates of the possible, that out of the pure urge of survival you have to invent a new space. Utopia is not [a] kind of a free imagination, utopia is a matter of inner most urgency, you are forced to imagine it, it is the only way out, and this is what we need today.”
– Slavoj Žižek, Public lecture at Universidad de Buenos Aires

What could utopia sound like? What if the mundane babble of things simply going about their livingness was how it sounded? Not in a state of idealised perfection, but a continuous and dynamic state of balancing. What if we could perceive this?

This installation aims to make audible a little piece of what is already, has been, and will continue to go on for a very long time. Just beyond ‘our’ world is the world of everything else, unfolding in its ordinary, continuous, mundane way. The machine in this exhibition holds the place of a translator. It detects signals of ongoing, other-aliveness and converts into crude signals audible to human anatomy. It is an unsophisticated interpretation. It provides no comprehension, but does enable us to perceive something that is not of us, in a way that may make some sense to us.

And how shall we interact with this. The ‘other’ knows when we are here, we can hear its signal change with interaction: touch, adding water, being neglected and dehydrating, and shining UV as if we pretend to be daylight. A mundane utopia for troubled and damaged times exists already, it’s not waiting for us.

—–

Opens: Thursday 13 June, 5.30pm, with refreshments by Liberty Breweries
Hours: 12 – 4pm, Tuesday – Saturday
Closes: Saturday 6 July

Public events:
Friday 14 June, 8pm @ Whammy Backroom
vegetable.machine.animal live in concert
Tickets here
More info here

Saturday 15 June, 1pm @ Audio Foundation
Kieran Monaghan Office Ambience performance and artist talk
More info here

Saturday 15 June, 5pm @ Audio Foundation, free
Film Screening: Jogja Noise Bombing (Indonesia)
More info here

Noise music at Covenant

Rāmere (Fri) 24th May | [OFFSITE] Noise at Covenant: Bloodfucker / DSLB / Eveline Breaker / Hexus

Bloodfucker: Sparkle wave pixie demon noise pop

Eveline Breaker: Pixel ambient and bitcrush pop by Lilith Ercolano of Feshh  (for the girls)

DSLB: Ditzy Squall’s Lunchbox (DSLB), is the solo project of Chrissie Butler from Mr Sterile Assembly fame, whose “sideways lyrics and staked up patterns” bring a glistening glean to erogenous ears.

Hexus: @lady_stab

Covenant is an occult gallery and boutique located at 2 Adelaide Road, Mount Cook, Wellington, New Zealand

Koha Entry

Special thanks to Creative New Zealand for supporting Pyramid Club’s programme