During the NZSM/Toi Pōneke arts residency, 2024, I was introduced to SOUNZ– the Centre for New Zealand Music. To be honest, I knew about SOUNZ in the peripheral cul-de-sacs of my brain but I thought it was mostly for classical music. And it is, but it is also much more.

It says about itself that it “…champions and promotes the sounds and music of Aotearoa, New Zealand.” It contains a huge collection of music score and such, but I was totally unaware that it has a substantial audio/visual component.

SOUNZ offered to come and video a number of performance associated with the vegetable.machine.animal Guest album launch, as well as a couple of the performances attached to the accompanying exhibition being held at Toi Pōneke. For free! With multiple cameras! and they would do the grunt of editing etc! Quite an amazing offer. My tasks were to perform well, and be responsible for recording the audio – this is quite likely a barrier for many but less insurmountable these days as digital recording devices get smaller, easier to use, and more available.

The video work was completed by Chris Wilson, a production team of team of one. Amazingly easy to work with, and very considerate in the way he set multiple cameras around the stage in ways that did not seem invasive or impinge on the ability to perform. A terrific experience.

I wish again to offer many thanks to the other musicians who took part in these performances: Kedron Parker, Gemma, S. Thompson, David Long, Chrissie Butler, Timothy Morel, Sophia Frudd, Andrew Faleatua (unfortunately not filmed but an audio recording was collected) and Ruby Solly. They are all incredible music makers in their own rights and are worthy of your aural attention.

Thank you to Pyramid Club and Toi Pōneke for the venues.

And, once again, one final thanks to SOUNZ for producing this beautiful documentation, I am very grateful.