Category Archives: DSLB

Review: Onyx Music Review of DSLB

Skirted Records is a Pōneke (Wellington) based, Aotearoa (New Zealand) label, and they have released the EP “Pass-On-Ings” by a project called DSLB, which is the experimental electronic spawn of Chrissie Butler, who is also one half of Mr Sterile Assembly.

So, we start on “1” with its gradual build-up of horn noise, with minute wavering within their held notes, so if one listens carefully, plus a growing drone in the background. Those held notes are intense and seemingly take on a life of their own. The warbling and rattling nature of “2” makes you think that this is a machine. What sort of machine? Who knows, but the rhythmic noises it makes are very pleasing, and sounds it makes are like the motor had lost its casing, as it is left to run.

In “3,” for the first minute, the sound is so low, you are not sure if anything is playing at all, but gradually you perceive the gentle beeping, as the music blooms, delicate and reverberating. Slowly emerging strains of melody are extruded, like a sea shanty in syrup, and maybe it was suddenly consumed by the waters, for all goes quiet. Track “4” is the loudest, though for me, it might also be the most poignant, as if there is a loneliness within the horn like sounds, calling out to the world without any reply, other than the random rhythms.

There is a fragility to the EP, with the music a mixture of instruments and electronic programming. The softest of sounds holds as much attention as the loudest, with each note and drone weaving a soundscape. DSLB is opening up new worlds with Pass-On-Ings.


ORIGINAL LINK

The artists are in residence

Kieran sitting in new studio at Toi Pōneke

Today is a milestone. Kieran begins 3 months as the Creative New Zealand/NZSM/Toi Pōneke Sonic Artist-in-Residence 2024. You can guarantee that this funded watershed will result in a proliferation of work in sound, in music, and in painting and will foster a clutch of unexpected collaborations with makers in a myriad of disciplines.

The knock-on of Kieran’s relocation to Toi Pōneke, is I get to stretch into an empty house for 3 months. So I feel I have scored the inaugural Happy Valley/skirted Records Sonic Artist-in-Residence 2024. Who knows what this gift of time and space will generate?

We both aim is to keep you posted as we would if we were on tour. Subscribe if you’d like to follow along.

Pass-On-Ings: The New DSLB CD

It’s here. We have the very beautiful Pass-On-Ings in our hands and now you can have it too, available from our Bandcamp page.

Pass-On-Ings is a work in 4-parts that maps an arc of time: The last weeks, days, and hours shared with my mum. The “instrumentation” is a weave of found sounds, sounds that found me, field recordings and ancient keyboards. It’s a spacious, light-filled listen and I’m pretty proud of where it landed.

Pass-On-Ings was initially commissioned as a podcast for the Pyramid Club (thank you Johnny Marks). It has been exquisitely remixed and mastered by Stephen Cole from What Studio in Liverpool.

Huge thanks also to Kieran for taking my photos and making such classy artwork. And to Mobineko for awesome as ever production.

Noise music at Covenant

Rāmere (Fri) 24th May | [OFFSITE] Noise at Covenant: Bloodfucker / DSLB / Eveline Breaker / Hexus

Bloodfucker: Sparkle wave pixie demon noise pop

Eveline Breaker: Pixel ambient and bitcrush pop by Lilith Ercolano of Feshh  (for the girls)

DSLB: Ditzy Squall’s Lunchbox (DSLB), is the solo project of Chrissie Butler from Mr Sterile Assembly fame, whose “sideways lyrics and staked up patterns” bring a glistening glean to erogenous ears.

Hexus: @lady_stab

Covenant is an occult gallery and boutique located at 2 Adelaide Road, Mount Cook, Wellington, New Zealand

Koha Entry

Special thanks to Creative New Zealand for supporting Pyramid Club’s programme

Pass-on-ings – DSLB

A new 4-part sound work from DSLB has gone live this week. It was made in response to a commission from the Pyramid Club for a podcast.

Between the commissioning of Pass-on-ings and its creation, my mum passed away. Making Pass-on-ings was a chance to process our last weeks together. It is a sketch in sound of moments in time that are etched in my head but for which I have no words. It is a gentle last post.

Huge thanks to the Pyramid Club for their support.