Tag Archives: Ting Shuo Hear Say

Album Launch: Electrical Minzu 35, by vegetable.machine.animal

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Electrical Minzu 35, by vegetable.machine.animal [vma] : a site-specific recording project, undertaken during October/November 2025, while on residence in the southern Taiwanese city of Tainan.

Between the laneways off Minzu, Xinyi, Jinhua, and Chenggong Road is Ting Shuo Hear Say, a space that has sound at the centre of its purpose. For two months vma and DSLB called this residency home and a base for musical exploration, connection, and touring.

In these narrow thoroughfares that weave between the main roads, green-space is rare. Yet people install potted greenery to soften the concrete and marble, and wild-seeded plant-life thrives in the gaps and cracks. At these potted assemblies, and in close proximity to wheels of scooters and feet, vma would connect the leaves of Eternity Plants, ferns, and other flora to the modular synth via sensors. These sensors detect invisible voltage, bio-signals, inside the plants, signals that flow into the circuitry of the synth, converting the imperceptible electrical fluctuations into sound.

The environmental sounds audible to human perception are also, simultaneously, recorded. Conversations, dogs, vehicles, silence, jet fighters, and echo. The sonic interpretation of the internal world of plants, and the sound world of these laneways are then bound together, capturing moments of multiple lives lived in real time, seemingly seperate yet intimately connected.

This project takes place in public spaces: a cafe frontage, outside a Community University Project, in the carpark of Ting Shuo, and at the entrance to a local electrical repair shop. People were curious, asking questions, and were interested to listen to and interact with the process during the recording sessions. These electronic sounds, interpretations of the invisible aliveness of plants, offered an unexpected shift in perspective. Via the ears, this small part of the world just got a little bigger.

Only one recording contains overdubs. Early on in the process additional percussion was added, and then mostly removed as it added very little. There are also pre-recorded sounds stored in a sampler on the synth that were gathered during the residency; the strings of a Guzheng, the percussive sounds of tables and water containers, the plasma arc of Hsinchu artist Kai-Yu Lin’s Somatic Plasma Resonator – these sounds are all triggered by plant voltage.

Electrical Minzu 35 is released on digital, and physical [CD], format. It is available for purchase via Bandcamp and Subvert, and at shows.

Thanks: Alice Hui-Sheng Chang, Nigel Brown, and Esme, at Ting Shuo Hear Say. Te Kōkī/ New Zealand School of Music for use of studio. Creative NZ for funding. Kai-Yu Lin for the sounds from the Somatic Plasma Resonator. William at Cafe Bar, Fangi Yi Liu, Chen En He, OOOnie, and Cia Himiân Lí in Tainan. Also: Lars of Colour Domes, Immanuel Dannenbring, DJ Rex Chen & Buddha Tiger Dog, Reuben Zahl, Chang Deng-Yao. Made Mantle Hood at the TNNUA, Tainan National University of the Arts. The local 7/11, and thanks always to Chrissie xxx!

A tour is toured!

The last week of the Tainan residency is coming to an end. We’ve started the packing and wrapping up of projects, ideas, and connections.

It’s been a time of many things. One such thing has been the wonderful opportunity to be based in a single location, a home-base if you will, where we can settle to concentrate on projects, as well as use it as a launchpad to tour from. A place that we can travel away from for shows over weekends and then return to familiarity to rest, reset and regather.

It’s a privilege to travel to play shows. It asks a lot from locals to spend precious time and energy on the committed organising and hosting events. We always aim to make it worth their while. Sometimes we were able to jump on an already existing show, and other-times a show was initiated in response to our interest in an area. To all those people (Lars, Fang Yi, Immanuel, Rex Chen, Reuben, Deng Yao) we offer up our thanks and gratitude.

The moving around has also provided a snapshot opportunity to witness what is happening with experimental music in Taiwan. It seems healthy and burgeoning scene. There are stable venues (as stable as a venue can be) that offer space for regular performances, there’s people on the ground with ongoing energy to organise, people with musical curiosity to draw upon to perform, and people who hold the important role of ‘appreciative audience’.

From the early stages of our organising, it quickly becomes apparent that Taiwan is well-networked. Various people freely shared information on who we should make contact with in other centres, and often the crossover of names and emails was frequent. People across the cities and regions seemed to have a current handle on who was organising elsewhere, interconnection is a healthy sign of an active and vibrant community.

Cafe Jiang Shan Yi Gai Suo in Hsinchu

We had the chance to play a range of venues: livehouses like Revolver in Taipei, cafe’s like Night Cruising in Hualien, Catmeoworm in Taichung, Jiang Shan Yi Gai Suo in Hsinchu, and gallery spaces like Fotoaura and Ting Shuo Hear Say in Tainan. 

And it’s been a real treat to see, and hear, the many acts that we shared shows with. The follow list here is order of performance – check them out:
Kina:suttsu x E-Da (Japan), Colour Domes 彩色穹頂 , Your Futagono Tamashi & 林子寧 Lin Tzu-Ning, Christoven (Singapore) & Pablo Liebhaber (Germany), Fang Yi Liu & Cia Himâin Li, Jonáš Gruska (Slovenia), Stefan Voglsinger (Austria), Nick Tsai, Lai Shi Chao & Xiao Liu, DJ Rex Chen, Jun-Yang Li, Alexis Baskind (France/Germany), Reuban Zahl, Tanehiko Sekijima & Kentaro Tamura (Japan), Chang Deng-Yao, Kaiyu Lin, Huang Ching Yi, Franki Wals, and Zihning Tai 戴孜嬣.

Included in our tour schedule was our end of residency show at Ting Shuo. We spoke about our history of music making, through mr sterile Assembly to the current projects. Chrissie facilitated a drawing workshop, based on a practice by US illustrator Lynda Barry. Check out Chrissie’s drawings at Picture This, she’s beautifully captured to paper some of our most memorable moments. To wrap up the evening, DSLB/vma presented a joint performance to the good people of Tainan. Thank you Ting Shuo for hosting us!

In our last week, we met up with musicians Fangi Yi Liu, Chen En He, Ooonie, and Nigel at Ting Shuo for an afternoon of improvised goodness. A full afternoon of sound-making with new friends, audibly solidifying the beautiful connections we’ve made over the last seven weeks.

And finally, Kieran had an opportunity to present vegetable.machine.animal at TNNUA, the Tainan National University of the Arts. Over two hours Kieran discussed, demonstrated, and performed v.m.a to students from ethnomusicology and music departments. Alice, from Ting Shuo, brilliantly supported with interpreting skills. The performance became very cosy as the students got closer and enveloped the stage. It felt like a mutually lively and interactive conversation spanning from mycelium, punk rock, Mad Max, Bruno Latour, and tips for students wanting to explore musical improvisation.

Many thanks and gratitude to everyone we’ve met over theist two months. You all made us feel so welcome, you freely offered suggestions of things to do or places to eat, you stopped and wanted to chat, and you took interest in the projects and sounds that we brought to Taiwan. Our experience would have been so much less for not having had met you. Till the next time.
And finally, our immense thanks to Alice, Nigel(and Esme) of Ting Shuo Hear Say for enabling this trip to become a possibility. It will certainly be one that remains in our memories with great fondness.
Gratitude galore!!!
xxx

DSLB – vegetable.machine.animal residency and tour

We are hours away from hoping onboard a metal bird to wing our way to the island of Taiwan.

We are very fortunate to have the opportunity to spend two months in Tainan, a southern city in Taiwan, in residence at Ting Shuo Hear Say. We have a bunch of projects to explore and experiment with, and we look forwards to sharing these with you in time as they revel themselves to us.

And for added excitement there’s a bunch of show in the middle of the stay. The 7th is tentative, perhaps we go to Hualien, but they have just been impacted by the typhoon. We shall wait and see. The shows will be a combination of playing together as a duo, as solos, or in collaborations with local musicians.