Tag Archives: Night Cruising Room

A tour is toured!

The last week of the Tainan residency is coming to an end. We’ve started the packing and wrapping up of projects, ideas, and connections.

It’s been a time of many things. One such thing has been the wonderful opportunity to be based in a single location, a home-base if you will, where we can settle to concentrate on projects, as well as use it as a launchpad to tour from. A place that we can travel away from for shows over weekends and then return to familiarity to rest, reset and regather.

It’s a privilege to travel to play shows. It asks a lot from locals to spend precious time and energy on the committed organising and hosting events. We always aim to make it worth their while. Sometimes we were able to jump on an already existing show, and other-times a show was initiated in response to our interest in an area. To all those people (Lars, Fang Yi, Immanuel, Rex Chen, Reuben, Deng Yao) we offer up our thanks and gratitude.

The moving around has also provided a snapshot opportunity to witness what is happening with experimental music in Taiwan. It seems healthy and burgeoning scene. There are stable venues (as stable as a venue can be) that offer space for regular performances, there’s people on the ground with ongoing energy to organise, people with musical curiosity to draw upon to perform, and people who hold the important role of ‘appreciative audience’.

From the early stages of our organising, it quickly becomes apparent that Taiwan is well-networked. Various people freely shared information on who we should make contact with in other centres, and often the crossover of names and emails was frequent. People across the cities and regions seemed to have a current handle on who was organising elsewhere, interconnection is a healthy sign of an active and vibrant community.

Cafe Jiang Shan Yi Gai Suo in Hsinchu

We had the chance to play a range of venues: livehouses like Revolver in Taipei, cafe’s like Night Cruising in Hualien, Catmeoworm in Taichung, Jiang Shan Yi Gai Suo in Hsinchu, and gallery spaces like Fotoaura and Ting Shuo Hear Say in Tainan. 

And it’s been a real treat to see, and hear, the many acts that we shared shows with. The follow list here is order of performance – check them out:
Kina:suttsu x E-Da (Japan), Colour Domes 彩色穹頂 , Your Futagono Tamashi & 林子寧 Lin Tzu-Ning, Christoven (Singapore) & Pablo Liebhaber (Germany), Fang Yi Liu & Cia Himâin Li, Jonáš Gruska (Slovenia), Stefan Voglsinger (Austria), Nick Tsai, Lai Shi Chao & Xiao Liu, DJ Rex Chen, Jun-Yang Li, Alexis Baskind (France/Germany), Reuban Zahl, Tanehiko Sekijima & Kentaro Tamura (Japan), Chang Deng-Yao, Kaiyu Lin, Huang Ching Yi, Franki Wals, and Zihning Tai 戴孜嬣.

Included in our tour schedule was our end of residency show at Ting Shuo. We spoke about our history of music making, through mr sterile Assembly to the current projects. Chrissie facilitated a drawing workshop, based on a practice by US illustrator Lynda Barry. Check out Chrissie’s drawings at Picture This, she’s beautifully captured to paper some of our most memorable moments. To wrap up the evening, DSLB/vma presented a joint performance to the good people of Tainan. Thank you Ting Shuo for hosting us!

In our last week, we met up with musicians Fangi Yi Liu, Chen En He, Ooonie, and Nigel at Ting Shuo for an afternoon of improvised goodness. A full afternoon of sound-making with new friends, audibly solidifying the beautiful connections we’ve made over the last seven weeks.

And finally, Kieran had an opportunity to present vegetable.machine.animal at TNNUA, the Tainan National University of the Arts. Over two hours Kieran discussed, demonstrated, and performed v.m.a to students from ethnomusicology and music departments. Alice, from Ting Shuo, brilliantly supported with interpreting skills. The performance became very cosy as the students got closer and enveloped the stage. It felt like a mutually lively and interactive conversation spanning from mycelium, punk rock, Mad Max, Bruno Latour, and tips for students wanting to explore musical improvisation.

Many thanks and gratitude to everyone we’ve met over theist two months. You all made us feel so welcome, you freely offered suggestions of things to do or places to eat, you stopped and wanted to chat, and you took interest in the projects and sounds that we brought to Taiwan. Our experience would have been so much less for not having had met you. Till the next time.
And finally, our immense thanks to Alice, Nigel(and Esme) of Ting Shuo Hear Say for enabling this trip to become a possibility. It will certainly be one that remains in our memories with great fondness.
Gratitude galore!!!
xxx

Managing being Fixed

We leave early in the morning. We came Hualien to play a show at a cute cafe called Night Cruising, at an event called 電路萬段 Electric Road. We met wonderful people and felt welcomed by their enthusiasm.

From the train window, evidence is still visible from Typhoon Ragasa’s recent visit: A super-typhoon that slammed into the Taiwanese east coast, Hualien County, only weeks ago, in September.

There are tears on the hills from slips, some of the scars are massive. Roads built on the side of river banks are broken at right angles, as the force of the wash undermined any idea of structural integrity. There’s also human-made assemblages of rocks, boulders, and concrete structures waiting in place to be used to repair some of the damage.  There’s also spontaneous hillsides of elephant-sized stones washed down from torrents, thrown violently as if weightless to the might of water.

The riverbeds are occupied by machinery. Diggers and graders assemble to remove and distribute the debris. They look like tiny toys in these causeways of dry braided rivers. But Typhoon Fung-Wong is on the way, and it will blow the dry away.

The news yesterday says the super-typhoon has just left the Philippines, with nearly one million forced to evacuate, and a shit-tonne of damage left in its wake. It is the 25th typhoon in 2025 to impact the Philippines.

Typhoon Fung-Wong in the Phillipines

Hualien County is on high alert from incoming Fung-Wong. Less than two months ago, Typhoon Ragasa smashed the region, bringing death, injury, and destruction. Entire neighbourhoods were submerged after barrier lakes, naturally formed obstructions (think dam) in the mountains, breeched, sending water, mud, and rock at all that lay in its path.

Ragasa in Hualien, September 2025

We met a teacher/artist in Fenglin in a super-friendly coffee shop. She tells us how her school was devastated by Ragasa. Classrooms clogged by mud, resources ruined and destroyed in the aftermath. The clean-up is ongoing, and nothing is normal. Classes haven’t resumed, but the teacher returns to work to continue with the clean-up. She also shows us some of her artwork, illustrations for a book she is writing to help children manage and express the intense emotions they may be feeling. Her attention to care is evident. And finally, more personally, she shows us a video on her phone, a clip she filmed after they had evacuated upstairs, of the torrential floodwaters surging down the streets past her family home six weeks ago. She points out cars, appliances, and other items that float past in the deluge.

“Don’t Rain Anymore” Shizaodai – thank you for letting us share your art

We also hear the repeatable story of civic mobilisation and mutual support post-disaster. Ordinary people who voluntarily head into damaged zones to help out with cleaning, repairing, and bringing essential skills and compassion for others. Ordinary empathy is an incredible resource, worth more than all the gold and riches.

Video of Ragasa impact in Southern China

This will be my first experience of a typhoon, but here, it is an ongoing and seasonal experience for Taiwan. That said it is now without question that the frequency and intensity of these storms is increasing. The meteorological projection, for this part of the world, is that the ongoing warming ocean will continue to exacerbate the extremity of the storms. And you can’t move an island.

I live on an immovable island at a safe-ish distance for most of these sub-tropical events – for the moment. But change has arrived whether we like it or not. The impacts are with us. Back home in Aotearoa, the recent fires of Tongariro are still smouldering. And the evidence says the fires are more frequent, as are droughts, the winds, and rains. To top this off, we have a government who are acting like a bunch of slap-headed fuckwits in relation to any policy responsibility towards the mitigation from the impacts of a locally, and globally, changing climate. The islands are fixed in place, the change comes to us.

Later:
I’m about to press publish. The typhoon arrives in about 9 hours. Friendly folk we have met over the last few weeks are telling us to be careful. But when we look around the laneways it all seems quite relaxed. There almost nothing I can see that indicates that people are especially worried. The only precaution I spot is that a local joss paper shop has cover his merchandise with a single tarp, and then fixed it to the ground with plastic rope and a brick. But best I don’t get deceived, the locals are experts at living with these storms. We will see what the morning brings.